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This page documents my work inspired by insular art, particularly the Pictish stones of Easter Ross and the illuminated manuscripts of the Irish school. I'll be using traditional pigments and working on parchment but giving a more contemporary twist to the themes.
 Among the pervading grace and lightness of spring Commission for the National Library of Scotland,traditional pigments on parchment, insular geometry mixed with graffiti tools and techniques, roughly A3 size. 2018 |
 Not To Blindly Follow Incipit for Dark Mountain Issue 12,Sanctum. 21x27.5cm. Traditional pigments with spraypaint. 2017 |
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 This Pen is a Splinter Incipit page for DM12, Sanctum, traditional pigments on parchment,21x27.5cm, 2017. |
 Singularity Singularity, Traditional pigments and graffiti markers on parchment, 2016. |
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 Quoniam traditional pigments on parchment, 2016 |
 The Land Incipit for DM12 |
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 An Bealach A commission for Glasgow School of Art and An Lanntair to commemorate links with St. Kilda on the Isle of Lewis 2016. |
 In Principio In Principio Erat Verbum,world's largest illumination on parchment, 41x110cm, red deer stag. 2017. |
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